Preston Sturges (29. August 1898–6. August 1959)Alternative NamenEdward P. Biden
Edmund Preston BidenBiografiePreston Sturges' own life is as unlikely as some of the plots of his best work. He was born into a wealthy family. As a boy he helped out on stage productions for his mother's friend, Isadora Duncan (the scarf that strangled her was made by his mother's company, Maison Desti). He served in the U.S. Army Signal Corps during WWI. Upon his return to Maison Desti, he invented a kissproof lipstick, Red-Red Rouge, in 1920. Shortly after his first marriage, his mother demanded that he return control of the company to her. Kicked out of Maison Desti, he turned to inventing. A tickertape machine, an intaglio photo-etching process, an automobile and an airplane were among his some of his commercially unsuccessful inventions. He began writing stories and, while recovering from an appendectomy in 1929, wrote his first play, "The Guinea Pig". In financial trouble over producing his plays, he moved to Hollywood in 1932 to make money. It wasn't long before he became frustrated by the lack of control he had over his work and wanted to direct the scripts he wrote. Paramount gave him this chance as part of a deal for selling his script for The Great McGinty (1940), at a cheap price. The film's success launched his career as writer/director and he had several hits over the next four years. That success emboldened him to become an independent filmmaker, but that did not last long--he had a string of commercial failures and acquired a reputation as an expensive perfectionist. He moved to France to make what turned out to be his last movie, The Diary of Major Thompson (1955). He died at the Algonquin Hotel, New York City, in 1959. (Quelle: IMDB)
From Wikipedia, the free encyclopedia.
Preston Sturges (29 August 1898 – 6 August 1959), originally Edmund Preston Biden, was a celebrated playwright, screenwriter and film director born in Chicago, Illinois. In 1941 he won the Academy Award for Best Original Screenplay for the film The Great McGinty.
Sturges took the screwball comedy format of the 1930s to another level, writing dialogue that, heard today, is often surprisingly naturalistic, mature, and ahead of its time, despite the farcical situations.
In recent years, film scholars such as Alessandro Pirolini have also argued that Sturges' cinema anticipated more experimental narratives by contemporary directors such as Joel and Ethan Coen, Robert Zemeckis, and Woody Allen, along with prolific The Simpsons writer John Swartzwelder: "Many of [Sturges'] movies and screenplays reveal a restless and impatient attempt to escape codified rules and narrative schemata, and to push the mechanisms and conventions of their genre to the extent of unveiling them to the spectator. [See for example] the disruption of standardized timelines in films such as The Power and the Glory and The Great McGinty [or the way] an apparently classical comedy such as Unfaithfully Yours (1948) shifts into the realm of multiple and hypothetical narratives.
Prior to Sturges, other figures in Hollywood (such as Charlie Chaplin, D.W. Griffith, and Frank Capra) had directed films from their own scripts. However, Sturges is often regarded as the first Hollywood figure to be initially mainly successfully established as a screenwriter and then to subsequently move into directing his own scripts, at a time when those roles were mostly entrenched and separate. Famously, Sturges sold the story for The Great McGinty to Paramount Pictures for $1, in return for being allowed to direct the film; the sum was quietly raised to $10 by the studio for legal reasons.
Description above from the Wikipedia article Preston Sturges, licensed under CC-BY-SA, full list of contributors on Wikipedia. (Quelle: TMDb) IMDB TMDb Wikipedia (DE) Wikipedia (EN) Wikidata GND
